Illustrations by Harry Clarke
Introduction by Brian Stableford
Edgar Allan Poe is remembered for his poetry and short stories, particularly his tales of ‘mystery and imagination’, many of which are distinguished by a relish for the macabre. A major figure in American literature, Poe was one of the country’s earliest and leading practitioners of the short story, and is credited as the father of detective fiction, as well as a major influence on science fiction.
Poe’s best-known work is decidedly Gothic. Recurring themes include considerations of death, the process of decomposition, the possibility of reanimation, and fear of premature burial. But Poe wrote not only ‘horror’, but satire, humour and hoaxes. He delighted in the use of irony and extravagance and the horror tale ‘Metzengerstein’, the first story he had published, was intended as a burlesque.
Poe became one of the first American authors of the nineteenth century to become more popular in Europe than in the United States, and was particularly respected in France following translations of his work by Charles Baudelaire.
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Harry Clarke (1889-1931) was an Irish stained-glass artist and book illustrator, and was a leading figure in the Irish Arts and Crafts movement. The Macabre Tales of Edgar Allan Poe contains all of the illustrations by Harry Clarke for the 1923 edition of Tales of Mystery and Imagination, with one illustration reinstated (for 'Morella'), and a variant added ('The Facts in the Case of M. Valdemar'). In total there are 8 colour plates (tipped-in by hand), 23 full page black and white illustrations, and numerous ornaments.
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Publisher | Tartarus Press |
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