By the Light of My Skull

Cover Art:  J.K. Potter

Before I could prevent myself I jerked up the flashlight beam. What did I see? Not much for long, but far too much. The hands belonged to a shape that occupied all the space on a solitary dilapidated chair. Like the hands, the shape appeared to owe its substance to the grime that was everywhere in the dark. Perhaps the soft insidious sound I heard was demonstrating how restless that substance was, but I had the awful idea that it could be an attempt to breathe. I just had time to glimpse a face―eyes as black and unstable as the rest of the lopsided bulk, nostrils desperately dilating, lips that sagged into a helpless grimace and then struggled to produce another expression if not to speak―before the figure collapsed…

By the Light of My Skull collects many of Ramsey Campbell’s recent tales of supernatural horror and psychological disintegration, and finds disquiet in the most familiar places. A game of Bingo and its calls conceal a dark secret, and the number-plates of cars convey a monstrous message. A headphone commentary guides a visitor to a stately home deep into terror, and the remains of a funfair are unearthed, awakening much worse. A fairy tale is retold for our time – both grim and Grimm – and a page from a book turns into a tribute to one of the greatest creators of fantasy. A search on a beach brings an uncannily unwelcome helper, and a return to a childhood memory rouses a nightmare. The power of the first great horror film refuses to stay on the screen, and even a Beatles tour contains the seeds of madness. The classically spectral is roused by brass rubbing, and Halloween is celebrated by an apparition. A bird hide conceals an increasingly sinister watcher, and a communication from the dead letter office leads to the restless dead. The passwords we all need these days may work on our nerves, but here they’re the source of worse than panic.

The book is illustrated by the award-winning artist J. K. Potter, whose surreal images perfectly complement the nightmares in the prose.

Unsigned Hardcover

Limited to 100 signed and slipcased copies

Lettered It is our understanding that PS Publishing sold 26 lifetime subscriptions, as a perk of that subscription the purchaser would receive a copy of the signed state of a particular book but instead of a number in the limitation line, it would contain a letter, each subscriber was assigned a letter, in all other aspects the book is identical to the signed, Slipcased or traycased copy.